Diferentes tipos de textos y literatura budistas

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Los textos budistas son aquellos textos religiosos que pertenecen a la tradición budista.

El origen de la literatura budista

Los primeros textos budistas no fueron comprometidos a la escritura hasta varios siglos después de la muerte de Gautama Buda.

Los manuscritos budistas más antiguos que han sobrevivido son los textos budistas gandhāran, encontrados en Afganistán y escritos en gāndhārī, que datan del siglo I a.C. al siglo III d.C.

Los primeros textos budistas fueron inicialmente transmitidos oralmente por los monásticos budistas, pero posteriormente fueron escritos y compuestos como manuscritos en varios idiomas indoeuropeos y recopilados en diversos cánones budistas.

Estos textos fueron luego traducidos a otros idiomas, como el chino budista y el tibetano clásico, a medida que el budismo se expandía fuera de la India.

Los sūtras del Mahāyāna son un género muy amplio de escrituras budistas que la tradición budista mahāyāna sostiene como enseñanzas originales del Buda.

Los historiadores modernos generalmente sostienen que los primeros de estos textos fueron compuestos probablemente alrededor del siglo I a.C. o del siglo I d.C.

El Mahāyāna también cuenta con una vasta literatura de textos filosóficos y exegetas. Estos a menudo se denominan śāstra (tratados) o vrittis (comentarios).

Parte de esta literatura también fue escrita en forma de verso (karikās), siendo la más famosa la Mūlamadhyamika-karikā (Versos Raíz sobre el Camino Medio) de Nāgārjuna, el texto fundamental de la escuela Madhyamika.

Los Tantras

Durante el Imperio Gupta, comenzó a desarrollarse una nueva clase de literatura sagrada budista, conocida como los Tantras.

Para el siglo VIII, la tradición tántrica era muy influyente en India y más allá.

Además de basarse en un marco budista mahāyāna, estos textos también tomaron prestadas deidades y material de otras tradiciones religiosas indias, como las tradiciones Śaiva y Pancharatra, cultos locales de dioses/diosas y la adoración de espíritus locales (como los espíritus yaksha o nāga).

Algunas características de estos textos incluyen el uso generalizado de mantras, la meditación sobre el cuerpo sutil y la adoración de deidades feroces.

Cuentos Jātaka y los Avadānas

Las primeras escuelas budistas también preservaron otros tipos de textos que se desarrollaron en períodos posteriores, que fueron vistos de diversas maneras como canónicos o no, dependiendo de la tradición.

Una de las categorías más grandes de textos que no eran ni Sūtra, ni Vinaya, ni Abhidharma incluye varias colecciones de historias como los cuentos Jātaka y los Avadānas (pali: Apadāna).

Estos son fábulas morales y leyendas que tratan sobre las vidas anteriores de Gautama Buda, tanto en forma humana como animal.

Las diferentes escuelas budistas tenían sus propias colecciones de estos relatos y a menudo discrepaban sobre qué historias eran canónicas.

Biografías del Buda

Otro género que se desarrolló con el tiempo en las diversas escuelas tempranas fueron las biografías del Buda.

Las biografías del Buda incluyen el Mahāvastu de la escuela Lokottaravadin, el Sūtra Lalitavistara de la tradición del norte, el Nidānakathā del Theravada y el Sūtra Abhiniṣkramaṇa del Dharmaguptaka.

Una de las biografías más famosas es el Buddhacarita, un poema épico en sánscrito clásico de Aśvaghoṣa.

Glosario de textos y literatura budista

Esta es una lista de diferentes tipos de textos y literatura budista junto con algunos proyectos de traducción bien conocidos y otras obras históricas.

Sutra

Textos budistas indios, a menudo escritos en pali o sánscrito, la fuente iconográfica para imágenes de Shakyamuni Buda, los bodhisattvas y los Arhats.

Abhidharma

Abhidharma (sánscrito) o Abhidhamma (pali) son textos budistas antiguos que contienen reelaboraciones escolares detalladas del material doctrinal que aparece en los sutras budistas, según clasificaciones esquemáticas. Las obras de Abhidhamma no contienen tratados filosóficos sistemáticos, sino resúmenes o listas abstractas y sistemáticas.

Dhammapada

El Dhammapada es una colección de dichos del Buda en forma de verso y uno de los textos budistas más leídos y conocidos. La versión original del Dhammapada se encuentra en el Khuddaka Nikaya, una división del Canon Pali del budismo Theravada.

Eleven-Faced Avalokitesvara Heart Dharani Sutra

The Heart-dhāraṇī of Avalokiteśvara-ekadaśamukha Sūtra is a Buddhist text first translated from Sanskrit into Chinese on the 28th day of the third lunar month of 656 CE, by Xuanzang.

The title in Tibetan language is Spyan-ras-gzigs-dbang-phyug-shal bcu-gcig-pa, while the Sanskrit title recovered from the Tibetan translation is Avalokiteśvara ikadaśamukha dhāraṇī.

Alternatively, the sutra’s title has been translated as the Eleven-Faced Avalokitesvara Heart Dharani Sutra by Professor Ryuichi Abe.

Longchen Nyingthig

Longchen Nyingthig is a terma, revealed scripture, of the Nyingma school of Tibetan Buddhism, which gives a systematic explanation of Dzogchen. It was revealed by Jigme Lingpa (1730-1798).

Maṇi Kambum

The Maṇi Kambum is a Tibetan Buddhist terma text which contains teachings connected with the bodhisattva Avalokiteśvara. The Maṇi Kambum was composed over time by different hands. It was likely composed from the 12th century to the 13th century.

Monogatari

Monogatari is a literary form in traditional Japanese literature – an extended prose narrative tale comparable to the epic novel. Monogatari is closely tied to aspects of the oral tradition, and almost always relates a fictional or fictionalized story, even when retelling a historical event. Many of the great works of Japanese fiction, such as the Genji Monogatari and the Heike Monogatari, are in the monogatari form.

Vaṃsa

Vamsa (Sanskrit: वंशम्, IAST: Vaṃśam, is a Sanskrit word that means ‘family, lineage’. It also refers to a genre of ancient and medieval literature in Buddhism, Hinduism and Jainism. This genre focuses on genealogies. They resemble the conventional histories found in the European literature, but differ as they predominantly chronicle myths and may integrate spiritual doctrines such as rebirths. A vaṃśam can be focussed on a dynasty, family, individual such as a saint, line of teachers of a particular tradition, or a place particularly of pilgrimage. Some of these texts are titled with vaṃśam as a suffix.

Thus have I heard

Thus have I heard is the common translation of the first line of the standard introduction of Buddhist discourses. This phrase serves to confirm that the discourse is coming from the Buddha himself, as a «seal of authenticity». Buddhist tradition maintains that the disciple Ānanda used the formula for the first time, as a form of personal testimony, but this is disputed by some scholars. It is also disputed how the phrase relates to the words that follow, and several theories have been developed with regard to how the text was originally intended to be read. The formula has also been used in later Mahāyāna and Vajrayāna discourses.

Tattvasamgraha

The Tattvasamgraha is a text written by the 8th century Indian Buddhist pandit Śāntarakṣita.

The text belongs to the ‘tenets’ (Tib. sgrub-mtha) genre and is an encyclopedic survey of Buddhist and non-Buddhist philosophical systems.

Śāntarakṣita’s student Kamalashila wrote a commentary on it, entitled Tattvasamgrahapanjika.

Akuma (folklore)

The akuma (悪魔) is a malevolent fire spirit in Japanese folklore. It is also described as a category of undefined beings who brought afflictions on humans.

Seri-Vanija Jathaka Katha

Seri-Vanija Jathaka is one of the five hundred and fifty jatakas of the Buddha. A Jataka is any of the stories of former lives of the Buddha, which are preserved in Buddhism. Some Jataka tales are scattered in different parts of the Pali: Pali canon of Buddhist writings, including a group of 35 that were collected for didactic purposes. This Seri jataka has included as the third story in the first volume of the Jataka Tales Compendium

Sāstrā lbaeng

Sāstrā lbaeng or lpaen is a genre of medieval Khmer literature often made of fantastic adventure romances. They were written in verse with a rich and elaborate vocabulary and used to entertain the audience via a public reader or chanter.

Sanskrit Buddhist literature

Sanskrit Buddhist literature refers to Buddhist texts composed either in classical Sanskrit, in a register that has been called «Buddhist Hybrid Sanskrit», or a mixture of these two. Several non-Mahāyāna Nikāyas appear to have kept their canons in Sanskrit, the most prominent being the Sarvāstivāda school. Many Mahāyāna Sūtras and śāstras also survive in Buddhistic Sanskrit or in standard Sanskrit.

Pramanavarttika

The Pramāṇavārttika is an influential Buddhist text on pramana, a form of Indian epistemology. The Pramāṇavārttika is the magnum opus of the Indian Buddhist Dharmakirti.

Pañcarakṣā

Pañcarakṣā means «Five Protectors», and it is the title of a Buddhist text in Sanskrit. It is an early work in the dhāraṇī genre of Buddhist literature, with Tibetan records mentioning it by about 800 CE. The Pañcarakṣā manuscripts survive in Tibet, Nepal and India in many divergent versions. The text includes spells, a list of benefits by its recitation, and the ritual instructions on how and when to use it. In the Buddhist tradition, each of the «Five» protections that are mentioned in the Pañcarakṣā are Buddhist deities (goddesses).

Nagarakretagama

The Nagarakretagama or Nagarakṛtāgama, also known as Desawarnana or Deśavarṇana, is an Old Javanese eulogy to Hayam Wuruk, a Javanese king of the Majapahit Empire. It was written on lontar as a kakawin by Mpu Prapanca in 1365. The Nagarakretagama contains detailed descriptions of the Majapahit Empire during its greatest extent. The poem affirms the importance of Hindu–Buddhism in the Majapahit empire by describing temples and palaces and several ceremonial observances.

Blind men and an elephant

The parable of the blind men and an elephant is a story that illustrates ontologic reasoning. It is a story of a group of blind men who have never come across an elephant before and who learn and imagine what the elephant is like by touching it. Each blind man feels a different part of the elephant’s body, but only one part, such as the side or the tusk. They then describe the elephant based on their limited experience and their descriptions of the elephant are different from each other. In some versions, they come to suspect that the other person is dishonest and they come to blows. The moral of the parable is that humans have a tendency to claim absolute truth based on their limited, subjective experience as they ignore other people’s limited, subjective experiences which may be equally true. The parable originated in the ancient Indian subcontinent, from where it has been widely diffused.

Buddhist Hybrid Sanskrit

Buddhist Hybrid Sanskrit (BHS) is a modern linguistic category applied to the language used in a class of Indian Buddhist texts, such as the Perfection of Wisdom sutras. BHS is classified as a Middle Indo-Aryan language. It is sometimes called «Buddhist Sanskrit» or «Mixed Sanskrit».

Maitreyasamitināṭaka

Maitreyasamitināṭaka is a Buddhist drama in the language known as Tocharian A. It dates to the eighth century and survives only in fragments. Maitrisimit nom bitig is an Old Uyghur translation of the Tocharian text. It is a much more complete text and dates to the tenth century. The drama revolves around the Buddha Maitreya, the future saviour of the world. This story was popular among Buddhists and parallel versions can be found in Chinese, Tibetan, Khotanese, Sogdian, Pali and Sanskrit. According to Friedrich W. K. Müller and Emil Sieg, the apparent meaning of the title is «Encounter with Maitreya».

Lucien Stryk Asian Translation Prize

The Lucien Stryk Asian Translation Prize is a prize that recognizes the best translation into English of book-length texts of Asian poetry or Zen Buddhism. It was established by an anonymous donor in 2010, and is named for Lucien Stryk, the American Zen poet and translator.

Abhisamayalankara

The Abhisamayālaṅkāra «Ornament of/for Realization[s]», abbreviated AA, is one of five Sanskrit-language Mahayana sutras which, according to Tibetan tradition, Maitreya revealed to Asaṅga in northwest India circa the 4th century AD. Those who doubt the claim of supernatural revelation disagree whether the text was composed by Asaṅga himself, or by someone else, perhaps a human teacher of his.

Lipi (script)

Lipi means ‘writing, letters, alphabet’, and contextually refers to scripts, the art or manner of writing, or in modified form such as lipī (लिपी) to painting, decorating or anointing a surface to express something.

Khmer sastra

Khmer sastra is a sastra, or manuscript, written during and after the Khmer Empire, from at least the 12th century, in Southeast Asia.

Jinakalamali

Jinakālamālī is a Chiang Mai chronicle that covers mostly about religious history, and contains a section on early Lan Na kings to 1516/1517. Similar period Pali chronicles include the Chamadevivamsa and the Mulasasana. Originally written in Pali by a Buddhist monk, it is said to have been completed in 1527 but the oldest extant manuscript dates only to 1788. The chronicle was one of the Chiang Mai-based chronicles maintained during the Burmese rule of Lan Na (1558–1775) and it was referenced by later Burmese chronicles, most notably Maha Yazawin, the standard chronicle of Toungoo Dynasty.

Jataka tales

The Jātakas are a voluminous body of literature native to South Asia which mainly concern the previous births of Gautama Buddha in both human and animal form. According to Peter Skilling, this genre is «one of the oldest classes of Buddhist literature.» Some of these works are also considered great works of literature in their own right.

Avadana

Avadāna is the name given to a type of Buddhist literature correlating past lives’ virtuous deeds to subsequent lives’ events.

Digital Dictionary of Buddhism

The project of the Digital Dictionary of Buddhism was initiated by Charles Muller, a specialist in East Asian Buddhism, during his first year of graduate school when he realized the dearth of lexicographical works available for both East Asian Buddhism and classical Chinese. Since that time, he has continued to compile the terminology from the texts that he has studied and translated, extending for almost twenty years.

Avadanasataka

The Avadānaśataka or «Century of Noble Deeds (Avadāna)» is an anthology in Sanskrit of one hundred Buddhist legends, approximately dating to the same time as the Ashokavadana. Ratnamālāvadāna. The work may be from the Mulasarvastivada school.

Chu sanzan jiji

The Chu sanzang jiji (出三藏记集) is the earliest extant catalog of Chinese Buddhist texts. It was compiled by Sengyou of the Liang Dynasty and finished c. 515 CE.

Viśeṣastava

The Viśeṣa-stava is a Buddhist stotra by the author Udbhaṭa-sidhi-svāmin and has pride of place as the text that opens the TIbetan bstan ‘gyur. Originally written in Sanskrit, the hymns was extensively propagated and most people of the country recited these as songs. It was written to demonstrate the superiority of Buddhism over tirthikas. It is now only known from its Tibetan translation. At the time of its translation into Tibetan Prajñāvarman wrote a commentary on it which immediately follows it in the Bstan ‘gyur.